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Plant fossil in rock

20 June, 2019
Plant fossil in rock from Motunau beach. Another image below.

Can anyone help me identify this plant fossil visible on the surface of this rock?  Research has not helped. I am just curious as to what the plant may be and which geological era it comes from. It would be great to find out!

The rock has been in my studio and unfortunately was splashed with ink and paint, so ignore the grey and yellow marks – the fossil appears in the pale grey markings. One of the leaves (?) bottom left is quite visible.


I brought the rock home as I was interested in the sea creature holes on the other side, and only later noticed the markings when I tried to remove the grey circles and the yellow stain.


The rock comes from Motunau beach north of Christchurch, and I attach some information from a really useful book for the uninitiated about the geology of the area which comes from the “Field Guide to NZ Geology” by Jocelyn Thornton.

Another image of the rock, adjusted to increase visibility of the fossil
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14 Day Challenge

9 June, 2019

Being pushed to take risks is one way to new creativity. I am enjoying this Skillshare class “Fearless Art Challenge” by Marie-Noelle Wurm.

This image using oil pastels (which defeated me badly in the past) was again attempted in the two day prompt – Metamorphosis I and II – for days 5 and 6.

Most recently this has been my attempt at Day 8’s “Colours and More Colours”. I used my own handmade paint – Indigo from pigment powder, a local rock pigment powder that was rubbed on to the paper, and Okains Bay watercolour paint.

Love the streak of indigo in the brown pigment.

Day 9 coming up…

Printing with a Cork

12 May, 2019
Cork prints…

Using up gouache paint remaining on the palette by painting the end of a cork – which makes a good print. Bit of fun in a new small sketchbook.

Autumn Garden Colours

5 May, 2019

Autumn is such a colourful time, and especially so when some of the summer flowers are still blooming.

Was really caught up in some artwork based on the plants in the autumn garden.

I recently completed a Skillshare class by illustrator Sara Boccaccini Meadows – and this was the result. My painting is in gouache with a touch of ‘Ultramarine Deep’ watercolour to highlight the delphiniums. I have not really used gouache before, but discovered for me that using it is an interesting cross between oil paint and watercolour – you can layer on top of dry paint and also mix the colours together on the paper.

Catching Up

4 April, 2019

Have not had the time to post much in the past couple of years. So here goes…

Clay, in one form or another seems to keep popping up in my artworks.

Here I was getting ready for the Turanga library workshops in January. Some of the tools of the trade, including at the top right my first muller in 2007 – a stone with one flat side to it. You can still see the colour of the last pigment that was ground with it – it worked ok, but you can get a finer powder using the glass muller to finish the process. I used a concrete tile as the grinding base. I now use a stone pestle and mortar to initially grind the shattered rock or clay. Making paint is the art process I seem to want to return to. To see what colour will appear during the printmaking process.

Pot and vessel shapes are another obsession. I like the quirkiness of painting images of ceramic pots in my clay-based paints.

But I do also use ‘ordinary paint’ – see what happens when I follow one of Peggy Dean’s Skillshare classes! (‘Discover your creative style’.)

But there’s more… like actually making ceramic objects which I have been doing over the past year with Ruth Stanton McLeod’s guidance. It is a tray, not a pot this time however.

A few objects in front of Janie Porter’s landscape painting: My daughter’s papier maché bird; a horse’s leather shoe (used in Victorian times to protect the grass when grass cutting being done, so I was told); pebbles and a slice of rock; an art nouveau pewter pot; and one of my first ceramic pots. On the left is more Oxford chalk and clay watercolour on board.

Below is a rock from near the top of Mt Oxford – and the paint. The colour comes through as a little too green, and I’ve tried to correct it …

Finally, here is a ceramic-watercolour combo: one of my pottery efforts – works great!

Making Paint at Turanga – Christchurch City Libraries

7 January, 2019

I am super excited to be showing how to make paint at the Turanga library next Sunday 13 January.

There will be a demonstration in the morning for children, and the workshop for adults in the afternoon.

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LOCALity

5 July, 2018

 

Last days for the exhibition LOCALity at Arts in Oxford, 72 Main St, Oxford. Exhibition closes Tues 10 July 2018.

LOCALity: a group exhibition exploring location, materiality & positioning

Arts in Oxford is pleased to present a selection of artworks by Canterbury artists Mark Adams, Mike Boot, Tony Bond, Cheryl Lucas, Elfi Spiewack, Tessa Warburton and Celia Wilson.

Artists each have diverse, unique practices but collectively are themes of rural life that connect all the works. Local geology, farming industry, water issues, native and introduced flora, recycling, repurposing are all reflected in this curated exhibition.

Images by Arts In Oxford.

2018-05-24 03.00.16-12018-05-24 03.02.34-12018-05-24 03.11.27-1

Press Release:

Art_in_Oxford_LOCALity_Press Release_final-1

 

LOCALITY JUNE-JULYLOCALITY JUNE-JULY

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webrobynster@gmail.com

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